Elly McDonald

Writer


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Dust (1985)

bright red

wounding the hillside, once

twice: every year

the dust billows down through the gullies

from up north, from the desert

dry-red flatlands, red dust clogs

cloaks the sky

so heavy, day smothers

so light, night fades

desperate-hearted nights, of throbbing sticky

heat: a bullet-hole

moon bleeds over soft lands –

bright red, like a bushfire

casting a pall


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Byzantium (1983)

A neon script emblazoned on the skyline

And the bassline from the car radio

Reverberates

Throbbing like the tremor of a long-bow string

After the arrow is loosed.

God is starry-eyed in the heavens

Tonight, and the streets down here are paved with gold

Light gilded – a Byzantine mosaic

Our city, bejewelled, wears a halo.

Driving through the night (through a pageant)

We are silent

We are blessed

We are wonders in a world

Of precious detail-work, of graven

Images: richly-inlaid mysteries

From the radio the bass emanates and

Envelops

A textured mantle, dark

And warm as blood


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Changed (1982)

At this distance memory jumps

the bad times like a child

jumping puddles It skips

takes the mud in stride

making rocks into playthings

to dance over oceans

skimming the depths

a dare, a defiance

skittering cheek

flying

brave cheat

inflicting no damage quick

sharp as that smile


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Nursery Rhyme (1985)

:Repetition:

in the kitchen, the tap still drips

the rain still patters and the clock

still ticks

:Wait:

through the window and the drizzle she can watch

cars go by; through the late news and the hours

she can sit alone and

:Hold:

this never happened, this never could

and if she thought it likely, you know she’d leave for

:Reprise:


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Pavement Song (1981)

Insofar as he is my friend

He is my friend

Only because I insisted on it

Fighting for everything

Fighting over everything

Eight years on and not yet exhausted

He says

Why do you have to take everything so hard?

You make

Everything so hard

And we laugh, we both believe

You must fight for your life

Be fierce

Fight tough

it’s easier with a friend

My friend


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Dingo (1982)

around here, they speak a language

whose vocabulary is familiar but

the words have different meanings

I can’t communicate

Commonplace expressions require foreign

interpretations; facial movements, social

gestures carry different connotations

I can’t convey

how at odds I feel in this Rubik’s Cube of a

World, how petrified

I am by this Rosetta Stone

Establishment: its every interaction

codified – each move feels false

A game of chess, post coup d’etat

A loaded dice, a snakes’n’ladders board

whose symbols have been reversed

I can’t decipher

An ever-changing cryptic crossword

I can’t control

An environment demanding that I speak in tongues

I find this neighborhood unnerving as the sight

of a dingo gazing down over Woolloomooloo

 

it’s there, at the top of stone stairs

a watcher flanked by rows of ochre terrace houses

it turns towards me (expectant

satisfied, cynical): Your yellow eyes betray you

square peg


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Cheap Poem, Winking (1985)

As a shadow, she’s much bolder

than I – looms much larger

takes more risks, stretches out and

intrudes: she

ignores bolted gates, and enters

other people’s homes; has no fear

of anything concrete, anything private

anything closed. Unafraid

and irreverent, she touches

those I love

has no shame, no sense of place

reaches out: no restraint

In a mirror she’s much sharper

than myself – she’s much

lighter, more quick; so much more

the creature of light

being of colour

Of angles, much more

somebody’s dream, someone’s

image – a reflection, my opposite number

laughing back at me, wherever I

look: winking up

from whatever I make

I create

spotlit flirt, knowing

on paper

she’s more brilliant, so much braver

much more startling, more broad

for your dollar

(more a tease)

more alive, even disguised

even dismissed, even derided and

tossed off as a

cheap poem


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Back in Business (1982)

Back in business, in tycoon form

touting like a hustler for what

the day may bring: bring noise bring

heat bring dust and it smells

like the street (my private property my

Wall Street, my bonanza)

bought and sold, selling now

on competitive terms: my sharp

my shop-worn challenge

on a day like today, on my street

feeling strong: feel cunning (lazy malice)

and sly: feel like laughing –

wanna rip somebody off


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Festive (1983)

Cathy laughs best

her lips tie a bow

an extravagant, impulsive

christmas present flourish

her eyes go bright green they

gleam like a scarab

a bauble dancing, as jaunty

as brilliant a yuletide

decoration: a gift, an excitement

as frivolous, as generous

sparklers ablaze

Cathy laughs, lights sing

Everything

flies upward: we cheer

and with a flourish, her lips

take a bow


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Messalina at the beach-house (1983)

glowering in the gnarled clutches of a malleetree she’s

bent, that cat

my mother tries to reason with her

only the dog ever responds to her logic

the dog and my father, four focused brown

eagerly uncomprehending eyes

the cat resists.

She veils herself behind a silt-heavy spiderweb not

one of us would broach

we discuss deserting her

my mother sobs, tired

hoping she’ll feel pity

(it’s late, it’s dark, the mosquitoes all gloat)

she feels contempt.

Fetch! they command me, the visiting child

the dog and I bound into ropes of corpse-flesh web

it clings like rolled rubber: we imagine many

armed spider hugs and fear

a beach-scrub Kali, slapping her hands across our eyes

our cat has eyes

like a goddess of destruction. She sits,

spite incarnate, in the backseat of the car

She and I, we dislike each other

intensely

all the way home


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Tourist (1982)

You with that silly, happy smile on your face

Your Luna Park expression

The night the bridge astride the Harbour

jade structure: onyx waters

A photo in the negative, inverse vigour

Oil-slick black

Your laughter your face

Lit up like the foreshores

Glisten lights dazzle: blare life

A night studded gold and incorrigible red

These ferries (marine glow-worms)

Humming purposefully by

Your eyes wide and shining

Firefly city

burn bright

I don’t want you to leave me

 


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Janie (1983)

Janie is a sea monster

On the beach, they don’t know yet

serpent in the brine, green-eyed and unholy

She cuts breakers to size and devours

the shore with each wave. She slashes

bitter salt-whips across the bone-white flesh of the

sand. She smashes

fists of glass; they shatter they pierce callous shrapnel

assassin blades of foam

Janie threshes barbed, brutal coils

causing dangerous rips, gouging depth out of

shallow. The froth, a frenzy of jade

Sun-plated, chill as armour and rage

She’s a deep-sea dragon, malice embodied

She is vengeful

The wrath of the excluded, elemental

force. An agent of retribution

She eyes the beach-towels, beach-balls, umbrellas

all the people in all the lycra-bright colours

judgmental

Janie in the ocean