Elly McDonald

Writer


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Haven (1985)

My mother has arrived. She’s unpacked
in my bedroom. From the bathroom I can hear
her chatting; she chirps
like a sparrow, cheerily, knowing
God cares – a bird among cats
young kittens, savage
strangers. She’s rolling bright-eyed
amidst claws, on the floor – they’ve hunted
her, caught her
pinned her wings flat; they crouch on her
chest and guard her 
for me, the arch-predator – for my
approval
keeping her prone, they keep this place ours
denying
safe house to the light speckled alien
refugee: a sparrow, fallen
who helplessly laughs


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Two Thighs (1985)

two thighs, knees together
firm converging lines
parabolic like an egg sucked
hollow inside
decisive outer planes
and gummy inner-lining – the jaws
of a dolphin, linear like this
wash up on northern beaches
bare and hard as crayfish claws
two thighs, knees together
an insolent autonomy
self-contained, impervious
bold strokes defining space
extended to an apex (knees together)
deft draftsmanship
emptiness encased
no fleshy Bardot pout: whose body?
brittle, bleached, beached
what body?
a dolphin’s skeletal beak


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Possums (1986)

black
streets drop away, breath
catches, while rain
– not quite falling – 
hangs in dark clumps of
night and possums sit
in the middle of a fence
nightfall
wide-eyed, they observe – not caring
neither way
we mean nothing, this is nothing
not to them, not us
come away
from here, take care
in this dark, bright-eyed
with cars – we are blinded
by cars –
in public, all observed
two possums stare
balanced on a fence
you and I, eye to eye
you and I, watching on
small blundering familiars
neither comprehend nor care
my hand reaches out
to your shoulder, instinctive – I touch
your neck:
warm and unresponsive – you’re scared
we two, clinging lightly
lean on each other
look up, look and see large
luminous eyes
in a damp-cheeked night


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Ghosts (1986)

walking onwards, then at once
pulled up
pulled back – as if by an image reflected
in a window, a face once-known
your own
aged features – sharp-edged, so
white – a bloodless light hand
reaches out
touch finger touch phantom a skeleton bridge
half-flesh, half-hope: the ghost
behind your eyes steps out, stands beside you
but it can’t be
you at all

not this time.
In half dark (half-light into
night), it’s someone you remember:
someone else.

Your stare mirrors his; the ghost you’ve become
sees itself living, behind
his eyes reflected; in the present, it relives
a scene from the past.
It stares through a window and sees you both
there – profiles overlapping, fingers touch
flesh… the man (who is him) looks up
stops
stares out the window, straight at the phantom, half-sees
through shadow: he says
I once knew her
The girl with him smiles (she is you, and she smiles)
Go on, go and tell her
‘good to see her again. Go out there
and talk but
He looks away and whispers
She won’t talk to me now

now on this street
you stop, you stare
you can see yourself touching (white lip touches
shoulder), phantom lips
plead promise me
don’t ever walk past me, don’t let me
walk past
No matter what happens, whoever
we become, I will always
stop:

Stop here for me now