Elly McDonald

Writer


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Watching (1982)

For someone who insisted she would

Not do anything she couldn’t admit to

 

midnight copper cockroach

crouched on asphalt pavement, inner

city face concave – erratic dark vermin

in the alleyway oblivion –

across an empty lot, strewn with rubble and tattooed

(the shadow-net cast by the meshed wire fence)

she scurries, feet scraping

alert: rapacious watcher

metallic and uncaring

 

She does know (or course)

It’s a dreadful thing to do


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Backstage (1982)

never believe these people aren’t dangerous

They lie They betray the curve

of jaw neck shoulder

from you I wanted tenderness

Trust and dependence I recall the nights

spent waiting

in cyclindrical gas chambers, backstage

With the band The elite

this might be hell, this doomed this

Damned this Dachau I

can’t live can’t breathe this

Poison bitter this

this spited air

 


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1953 (1983)

with grace, head held high

she carries herself serenely

(King Charles walked and talked

half an hour after…)

unassailably regal as those who have learned

to ignore homemade bombs peasants

pitch in their faces

she carries herself

no support

she knows

she knows

she believes them, and believing

will never trust again

moving?

as if on castors, slightly stiff but

caring?

unbowed. Steadfast, her face composed

grey-eyed

she must know

dry-eyed

 

who’ll help?

dignity a shell


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Complex Organisms (1983)

fashioning roses

You restore my hand from a crown of thorns

starfish into petals

I could hug you; so crude

when your is an origami touch

as if I were sheer and white like

a nautilus shell pure

coddling, coaxing growth

from an African violet bella

donna prima donna temperamental

unearthing a fossil, living coral

flushed with myriad gasping, sucking mouths

breath

taking: life-giving, sleight of hand

a healing touch – herbs and tenderised nettle

by moonlight, calm and soothe

smooth

cultivate concern


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Asymmetric (1984)

It shouldn’t be like this

not

so long after: the hunter and the hunted

oppressor and oppressed: so much later

but now

 

still playing games with mirrors

still replicating that face

 

you look

in every crowd

you note

the set of her shoulders (whose?): the way

she moves

the planes of her features: tense

all symmetry and conspiracy

 

all over, so much later

over now:

it shouldn’t be like this

 


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Cannon-fodder (1984)

This is warfare

I could get what I want but it would only

Backfire: this is a doomed

And ignoble cause. In victory, defeat

But this

Is a cold and protracted campaign

More casualties (mere carnage)

More self-inflicted damage

This is my Crimea: a wearying, putrid, recurring

Night horror. We play over

The same sequences, we make

The same moves. Too studied, too

Well-practised: the positions are

Entrenched now.

We are buried

In trenches, our consciences deadened

This battle, weighted no way, is fought out in

No Man’s Land. This is an exercise:

We order reprisals for guerilla attacks

In cold blood, turning violence on

Innocent civilians

We use their wide eyes for target practice.


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Cheap Poem, Winking (1985)

As a shadow, she’s much bolder

than I – looms much larger

takes more risks, stretches out and

intrudes: she

ignores bolted gates, and enters

other people’s homes; has no fear

of anything concrete, anything private

anything closed. Unafraid

and irreverent, she touches

those I love

has no shame, no sense of place

reaches out: no restraint

In a mirror she’s much sharper

than myself – she’s much

lighter, more quick; so much more

the creature of light

being of colour

Of angles, much more

somebody’s dream, someone’s

image – a reflection, my opposite number

laughing back at me, wherever I

look: winking up

from whatever I make

I create

spotlit flirt, knowing

on paper

she’s more brilliant, so much braver

much more startling, more broad

for your dollar

(more a tease)

more alive, even disguised

even dismissed, even derided and

tossed off as a

cheap poem


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Back in Business (1982)

Back in business, in tycoon form

touting like a hustler for what

the day may bring: bring noise bring

heat bring dust and it smells

like the street (my private property my

Wall Street, my bonanza)

bought and sold, selling now

on competitive terms: my sharp

my shop-worn challenge

on a day like today, on my street

feeling strong: feel cunning (lazy malice)

and sly: feel like laughing –

wanna rip somebody off


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sinking (1983)

the helicopter went down

in darkness

eelelectricblueblack

I saw the rotorblades

swimming in the spotlights

distorted by lightwaves

wet sinking fast

through butterflywing fishshoals

I saw the surface

slip from our grasp

I saw dayglo

fish bellies as pale as

lonely faces

tell me:where were you:to tell me

I’m dreaming again


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X (1983)

Walking past this house the temptation is strong

A brick through the window, a boot in the door

This is white This is open This is fragile This is

Valued – auctioned last Saturday (the bidding was persistent)

This is someone else’s property

now

Someone else’s

 

Home This is closed to the streets with

No remembrance of past No

Remembrance of loyalties No haven

 

for the outcast I hope

Somebody

Scrawls graffiti on your walls in

Indelible black and

it lasts


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Scar Beach (1984)

the earth stings

three-cornered jacks and salvation jane

barbs savage flesh

beer bottles, broken, and jagged jutting rocks

cut out to sea

claws

a rip through the Heads

now tearing, now

taunting, a dagger-thrust wind

a place of impalement, by nature

defensive: here, by the shore, the hard-worked flints

sheathed in grit break off

under foot

a ghost race’s weapons still function, still strike

in a fight long since lost, while shells

slice soles: a terrain

sharp with tension

how far (how long back?) what people

lived here

how hostile (what violence?) what intrusion

resisted

resented

what fear remains: in pain, and by force

grafted

enduring – the grey lash-scar weal of

a killer’s brand

 

 


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Bad Tidings (1984)

dead birds on the shore

she sees them, and sees herself

battered, blown off course

in the guts of such storms as

bully this coast

she’s buffeted: she feels her wings snap

by day her surrounds eddy grey and by night

churn black: the sea, the sky, neither down

nor up nor around no sense

no salvation – small corpses, oil-slick sodden

dumped, junked by the tide

dark damp broken omens against

panic and exhaustion (so tired)


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Festive (1983)

Cathy laughs best

her lips tie a bow

an extravagant, impulsive

christmas present flourish

her eyes go bright green they

gleam like a scarab

a bauble dancing, as jaunty

as brilliant a yuletide

decoration: a gift, an excitement

as frivolous, as generous

sparklers ablaze

Cathy laughs, lights sing

Everything

flies upward: we cheer

and with a flourish, her lips

take a bow