Elly McDonald

Writer


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Vertigo (1983)

here, I am uneasy

this place is strange, this space

empty. This incubator, sterile compound.

your unit. Myself glimpsed

in glass (in fragments), a full-length window pane

Ghost image on a TV screen

you disturb me

the air –

so sharp it hurts, this high

vertigo –

you make my eyes smart

Far removed, a burglar siren jams

(you alarm me)

the heavy breathing of cars, below

you oppress

like a radio not quite tuned to the stations

a shadow pall –

a phone left off the hook


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Northbound (1985)

In summer, while tanned, blue-eyed girls in

white cotton frocks planned weekends on the yacht

(the harbour danced with white, teasing sails)

he went up north

a country boy, he’d shyly confess

no time for cultural gorgings, for opera

in the park – a backwoods poet

raised among canefields

Never been farther than Cairns:

such yearing – as soon as he’d had means

he bought a neck of river: his boast, his own

human clay, his land

of parakeets and snakes. As a child the sky

seemed uncontainable: horizons so wide, so far

out of reach

now, driving north, he sleeps alone

on the beaches at night

counts the stars, then, satisfied the sky

has not contracted, he softly hums

The restless rhythms of the car tune

his days, and he sings, low and gentle

as he never could down here


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Dust (1985)

bright red

wounding the hillside, once

twice: every year

the dust billows down through the gullies

from up north, from the desert

dry-red flatlands, red dust clogs

cloaks the sky

so heavy, day smothers

so light, night fades

desperate-hearted nights, of throbbing sticky

heat: a bullet-hole

moon bleeds over soft lands –

bright red, like a bushfire

casting a pall


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Byzantium (1983)

A neon script emblazoned on the skyline

And the bassline from the car radio

Reverberates

Throbbing like the tremor of a long-bow string

After the arrow is loosed.

God is starry-eyed in the heavens

Tonight, and the streets down here are paved with gold

Light gilded – a Byzantine mosaic

Our city, bejewelled, wears a halo.

Driving through the night (through a pageant)

We are silent

We are blessed

We are wonders in a world

Of precious detail-work, of graven

Images: richly-inlaid mysteries

From the radio the bass emanates and

Envelops

A textured mantle, dark

And warm as blood


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Changed (1982)

At this distance memory jumps

the bad times like a child

jumping puddles It skips

takes the mud in stride

making rocks into playthings

to dance over oceans

skimming the depths

a dare, a defiance

skittering cheek

flying

brave cheat

inflicting no damage quick

sharp as that smile


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Nursery Rhyme (1985)

:Repetition:

in the kitchen, the tap still drips

the rain still patters and the clock

still ticks

:Wait:

through the window and the drizzle she can watch

cars go by; through the late news and the hours

she can sit alone and

:Hold:

this never happened, this never could

and if she thought it likely, you know she’d leave for

:Reprise:


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Pavement Song (1981)

Insofar as he is my friend

He is my friend

Only because I insisted on it

Fighting for everything

Fighting over everything

Eight years on and not yet exhausted

He says

Why do you have to take everything so hard?

You make

Everything so hard

And we laugh, we both believe

You must fight for your life

Be fierce

Fight tough

it’s easier with a friend

My friend


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Dingo (1982)

around here, they speak a language

whose vocabulary is familiar but

the words have different meanings

I can’t communicate

Commonplace expressions require foreign

interpretations; facial movements, social

gestures carry different connotations

I can’t convey

how at odds I feel in this Rubik’s Cube of a

World, how petrified

I am by this Rosetta Stone

Establishment: its every interaction

codified – each move feels false

A game of chess, post coup d’etat

A loaded dice, a snakes’n’ladders board

whose symbols have been reversed

I can’t decipher

An ever-changing cryptic crossword

I can’t control

An environment demanding that I speak in tongues

I find this neighborhood unnerving as the sight

of a dingo gazing down over Woolloomooloo

 

it’s there, at the top of stone stairs

a watcher flanked by rows of ochre terrace houses

it turns towards me (expectant

satisfied, cynical): Your yellow eyes betray you

square peg


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Patient (1984)

He thinks he recognises her

the smile slips out before he realises

this stranger, fleshed with her features, has borrowed

her body and sits in challenge

there, across his bacon and eggs

her breath between them

lips moving cheerfully, over his coffee

eyes alight (a smart trick, that)

this routine relies

all normality depends – on his not revealing

he know the truth: the truth he knows

he will not betray

the smile freezes; she returns it

patient


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Adolescent Lovesong (1980)

This man

who I wanted to hold

and to rock in my arms

(tell him it’s all alright)

stands in the street

smiling down at me

tells me it’s all alright

and all the people part around us

I can’t hear them

He’s all there is as

the sun comes behind him

His lips

touch my cheeck, and almost

my mouth

mine on his, soft on soft as

the sun warms my face and

I’m so proud of him

standing there, smiling

as if

he loved me


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Watching (1982)

For someone who insisted she would

Not do anything she couldn’t admit to

 

midnight copper cockroach

crouched on asphalt pavement, inner

city face concave – erratic dark vermin

in the alleyway oblivion –

across an empty lot, strewn with rubble and tattooed

(the shadow-net cast by the meshed wire fence)

she scurries, feet scraping

alert: rapacious watcher

metallic and uncaring

 

She does know (or course)

It’s a dreadful thing to do


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Backstage (1982)

never believe these people aren’t dangerous

They lie They betray the curve

of jaw neck shoulder

from you I wanted tenderness

Trust and dependence I recall the nights

spent waiting

in cyclindrical gas chambers, backstage

With the band The elite

this might be hell, this doomed this

Damned this Dachau I

can’t live can’t breathe this

Poison bitter this

this spited air