All the virtues of adventure costume drama with the added value of surprise.
Incredible sets, costumes, gorgeous young actors, swashbuckling action sequences, revenge, romance… and the whole way through I was trying to imagine how Korean audiences, knowing the framework of historical fact, would be interpreting characters and events.
Then when I realised I was watching the two shows in reverse order – Six Flying Dragons is a prequel to Tree With Deep Roots, made by the same team – I realised Korean viewers watching SFD would already know the fates of key characters, removing elements of suspense I found excruciating, but adding poignancy.
The entire political history of Korea would inform Koreans’ understandings of these dramas. I don’t have that. So my responses are naive, in the sense of… uneducated.
The FB diary:
“… starts off playing like a kids’ adventure yarn then turns into an examination of political morality, dissidents, the nature of power, the nature of courage, wrapped up in an origin story of the [medieval] kingdom of Joseon (Korea). (The actual founding of the Joseon dynasty differs in marked ways from the hero tale of Six Flying Dragons.)
“This is gathering in power episode by episode and the climactic sequences in Ep4 – the music! – are killing me.
“Some parts so far are so pertinent to what’s happening in Hong Kong but the political parable is encompassing.”
“Rock stars. Amazing. I think I prefer it to GoT.
“12 episodes into Six Flying Dragons and it’s striking to contrast its female characters with how women were presented on GoT.
“Not many female characters in SFD, but those there are, are strong and complex, and respected: a woman spy master, a woman master spy, a peasant village leader, a peasant family matriarch, a resourceful peasant in a player troupe, a very young political ‘genius’ (so described by her father’s retainer).
“There’s a dorm-full of women spy-assassins but no overt prostitution, no femme fatale, no fallen women, no nudity. No conniving queen. The only sex has been one implied rape, off camera.
“Plus one young woman who appears to have an orgasm when the [much higher status] man who is patiently courting her assists her in fitting her first real pair of shoes. But I’d lose it too if I were that particular young woman and that particular young man was fondling my feet.”
“Things are turning very bleak in the last 10 episodes of Six Flying Dragons.
“The essential questions: What constitutes a righteous action? Does loyalty to an ideology take precedence over loyalty to loved ones? Capitalism vs Communism?
“Does a person become evil by performing evil acts or were they evil already?
“And the perennial: Who will live? Who will die violently?”
“Traumatised by Ep48 of Six Flying Dragons then cried the whole way through Ep50, the finale. [And kept on crying for 24 hours.]
” ‘We are stronger when we have someone to protect.’ ”
“In my quest to become an overnight expert in Early Joseon I have done a deep dive into art history books, Wiki and Korean film and TV series beyond Six Flying Dragons.
“Tree With Deep Roots picks up in time where SFD left off. I was going to say it presents a very different interpretation of King Taejong/Yi Bang-won but actually, the characterisation has a certain continuity, for obvious historical reasons. From this perspective, it makes SFD a romantic origins story.
“TWDR a.k.a. Deep Rooted Tree (a nice ironic pun) is more Alexandre Dumas.
“I also tried the popular Netflix series Kingdom, which has the apt conceit of making a Joseon crown prince a raving zombie. I applaud the idea – the entertaining Inspector K: Secret of the Living Dead turned Joseon nobles into vampires – but I couldn’t cope beyond the first ten minutes.
“However (Korean: honne), I am not surprised Kingdom has just been renewed for a second season. Maybe I’ll work my way up to it.”
“Tree With Deep Roots turns out to be a conspiracy thriller about… literacy?
“Could you stake your life the pen is mightier than the sword, that debate trumps torture, that a good man can survive wielding power?